Saturday, February 7, 2009

My Very Own Real Hero!

You taught me so many things...

People can not change the way they look, but they can improve the way they dress. When you really love someone the best material gift you can give her is a watch for it measures that which measures her life.

When things don't work out between two people the best thing to do is to walk away without the need to make it hurtful for them.

A woman should always be treated like a queen and love should be like a fairy tale, for anything less is unacceptable and not worth your time.

Always make those around you as comfortable as you can, they truly deserve to see the best side of you. If by chance they see you at your worst they will cheer you up and comfort you if they are true friends.

Live life in such a way that each moment becomes a precious memory so that at the very end you can see it as a movie full of joy and without regrets.

When you look at a person's eyes you are looking at the deepest part of their very soul.

If you always look with an objective perspective you shall never be deceived, for you will see only the true intentions, what is real, present and tangible anything else could be just part of the imagination that tries to steer you away from the things that really matter and that are within reach and at hand.

For these and everything you taught me I thank you DAD. I shall only be so lucky to inherit and practice some of your traits.

Thanks for bringing the light when life seems to become dark. Always know how much I love you and how proud I am to be your son. May the angels rejoice in your company and bestow peace and harmony upon us.
-Franklin Peña-

Friday, February 6, 2009

What are you doing with the time that has been given to you?...

Do we truly know anything about time? All we know is that everything we do, every action taken even if is just standing still, thinking or dreaming away, is in fact contained in a bucket of time.

We do not know how many buckets we have left for future actions, we can only be sure of the buckets we have used to this moment and even then lots of this used buckets are very hard to account for.

All our treasures are contained within these buckets and as we move forward and accumulate more adventures, joy, misery, happiness, disappointment, or whatever the experience might be, buckets of time have to be available to hold all of these.

We never know when we are going to run out of buckets, but if we treat every moment as if it was the last then we'll be both prepared and fulfilled.
-Franklin Peña-

Federico Garcia Lorca - Romance Sonámbulo

/////////////////////////////
// English Translation //
///////////////////////////

Green, how I want you green.
Green wind. Green branches.
The ship out on the sea
and the horse on the mountain.
With the shade around her waist
she dreams on her balcony,
green flesh, her hair green,
with eyes of cold silver.
Green, how I want you green.
Under the gypsy moon,
all things are watching her
and she cannot see them.

Green, how I want you green.
Big hoarfrost stars
come with the fish of shadow
that opens the road of dawn.
The fig tree rubs its wind
with the sandpaper of its branches,
and the forest, cunning cat,
bristles its brittle fibers.
But who will come? And from where?
She is still on her balcony
green flesh, her hair green,
dreaming in the bitter sea.

--My friend, I want to trade
my horse for her house,
my saddle for her mirror,
my knife for her blanket.
My friend, I come bleeding
from the gates of Cabra.
--If it were possible, my boy,
I'd help you fix that trade.
But now I am not I,
nor is my house now my house.
--My friend, I want to die
decently in my bed.
Of iron, if that's possible,
with blankets of fine chambray.
Don't you see the wound I have
from my chest up to my throat?
--Your white shirt has grown
thirsy dark brown roses.
Your blood oozes and flees a
round the corners of your sash.
But now I am not I,
nor is my house now my house.
--Let me climb up, at least,
up to the high balconies;
Let me climb up! Let me,
up to the green balconies.
Railings of the moon
through which the water rumbles.

Now the two friends climb up,
up to the high balconies.
Leaving a trail of blood.
Leaving a trail of teardrops.
Tin bell vines
were trembling on the roofs.
A thousand crystal tambourines
struck at the dawn light.

Green, how I want you green,
green wind, green branches.
The two friends climbed up.
The stiff wind left
in their mouths, a strange taste
of bile, of mint, and of basil
My friend, where is she--tell me--
where is your bitter girl?
How many times she waited for you!
How many times would she wait for you,
cool face, black hair,
on this green balcony!
Over the mouth of the cistern
the gypsy girl was swinging,
green flesh, her hair green,
with eyes of cold silver.
An icicle of moon
holds her up above the water.
The night became intimate
like a little plaza.
Drunken "Guardias Civiles"
were pounding on the door.
Green, how I want you green.
Green wind. Green branches.
The ship out on the sea.
And the horse on the mountain.


/////////////////////////////
// Original Spanish //
///////////////////////////

Verde que te quiero verde.
Verde viento. Verdes ramas.
El barco sobre la mar
y el caballo en la montaña.
Con la sombra en la cintura
ella sueña en sus baranda,
verde carne, pelo verde,
con ojos de fría plata.
Verde que te quiero verde.
Bajo la luna gitana,
las cosas la están mirando
y ella no puede mirarlas.

Verde que te quiero verde.
Grandes estrellas de escarcha,
vienen con el pez de sombra
que abre el camino del alba.
La higuera frota su viento
con la lija de sus ramas,
y el monte, gato garduño,
eriza sus pitas agrias.
¿Pero quién vendrá? ¿Y por dónde...?
Ella sigue en su baranda,
verde carne, pelo verde,
soñando en la mar amarga.

Compadre, quiero cambiar
mi caballo por su casa,
mi montura por su espejo,
mi cuchillo por su manta.
Compadre, vengo sangrando,
desde los puertos de Cabra.
Si yo pudiera, mocito,
este trato se cerraba.
Pero yo ya no soy yo,
Ni mi casa es ya mi casa.
Compadre, quiero morir
decentemente en mi cama.
De acero, si puede ser,
con las sábanas de holanda.
¿No ves la herida que tengo
desde el pecho a la garganta?
Trescientas rosas morenas
lleva tu pechera blanca.
Tu sangre rezuma y huele
alrededor de tu faja.
Pero yo ya no soy yo.
Ni mi casa es ya mi casa.
Dejadme subir al menos
hasta las altas barandas,
¡dejadme subir!, dejadme
hasta las verdes barandas.
Barandales de la luna
por donde retumba el agua.

Ya suben los dos compadres
hacia las altas barandas.
Dejando un rastro de sangre.
Dejando un rastro de lágrimas.
Temblaban en los tejados
farolillos de hojalata.
Mil panderos de cristal,
herían la madrugada.

Verde que te quiero verde,
verde viento, verdes ramas.
Los dos compadres subieron.
El largo viento, dejaba
en la boca un raro gusto
de hiel, de menta y de albahaca.
¡Compadre! ¿Dónde está, dime?
¿Dónde está tu niña amarga?
¡Cuántas veces te esperó!
¡Cuántas veces te esperara,
cara fresca, negro pelo,
en esta verde baranda!

Sobre el rostro del aljibe
se mecía la gitana.
Verde carne, pelo verde,
con ojos de fría plata.
Un carábano de luna
la sostiene sobre el agua.
La noche se puso íntima
como una pequeña plaza.
Guardias civiles borrachos
en la puerta golpeaban.